![]() ![]() It is the second graded-stakes win for the 4-year-old son of Heart’s Cry (JPN) out of the Canadian Frontier mare Hilda’s Passion The victory was worth $297,600 and increased Yoshida’s earnings to $846,700 with a record of 8-4-3-0. The two raced as a team through the lane with Yoshida drawing clear in the final yards. On the far turn, Beach Patrol moved to the lead with Yoshida surging to his outside. Shining Copper set the pace in the field of nine doling out fractions of :24.86, :50.61 and 1:16.44 with Beach Patrol in closest pursuit. It is a record third victory in the race for Mott who won in 1994 with Paradise Creek and in 2004 with Stroll. Trained by Bill Mott and ridden by Jose Ortiz, Yoshida covered the 1 1/8 miles on the Matt Winn Turf Course rated as “good” in 1:54.64. (Saturday, May 5, 2018) – China Horse Club, WinStar Farm and Head of Plains Partners’ Yoshida ( JPN) returned to the races from a seven-month layoff to turn back favored Beach Patrol by three-quarters of a length to win the 32nd running of the $500,000 Old Forester Turf Classic (Grade I) for 4-year-olds and up. You will get full access to divisare archive and you will help us keep the lights on.ĭivisare subscription is free for teachers & students No Ads. If you like what we’re doing, please Subscribe. No click - like - tweet - share, no advertising, banners, pop-ups. This is why Divisare is a place to perceive architecture slowly, without distractions. Instead of hastily perused information, we prefer knowledge calmly absorbed. Instead of a quick, distracted web, we want a slow, attentive one. Patient work, done with care, image after image, project after project, to offer you the ideal tool with which to organize your knowledge of contemporary architecture. Join us in taking a stand against the short attention architecture media.ĭivisare is the result of an effort of selection and classification of contemporary architecture conducted for over twenty years. It is a different idea of the web, which we might call slow web. banners, pop-ups or other distracting noise. No "click me," "tweet me, "share me,” "like me." No advertising. Behind all this there is the certainty that we can do better than the fast, distracted web we know today, where the prevailing business model is: "you make money only if you manage to distract your readers from the contents of your own site." With divisare we want to offer the possibility, instead, of perceiving content without distractions. A long, patient job of cataloguing, done by hand: image after image, project after project, post after post. Every Collection in our Atlas tells a particular story, conveys a specific viewpoint from which to observe the last 20 years of contemporary architecture. Our model was the bookcase, on whose shelves we have gathered and continue to collect hundreds and hundreds of publications by theme. ![]() So we began to build divisare not vertically, but horizontally. May be because we wanted to distinguish divisare from the web that is condemned to a sort of vertical communication, always with the newest architecture at the top of the page, as the "cover story," "the focus."Ĭontent that was destined, just like the oh-so-new architecture that had just preceded it a few hours earlier, to rapidly slide down, day after day, lower and lower, in a vertical plunge towards the scrapheap of page 2. ![]()
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